I got into shooting high-end weddings, thinking that I would be home during the week with my daughter and just shoot on the weekends when my husband could be home. However, it turned into a demanding hour a week job.
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The pay was great, but I was miserable and burned out. Six years ago I decided I was either going to get out of photography all together or find a niche that made me happy. Architecture does that for me…in a BIG way. So I slowly started over, rebuilding my business and client base and investing in some additional gear. I had the same experience in the world of wedding photography.
Burn out is a real thing! How do you juggle family and meeting the demands of the industry? So the life balance thing is always a struggle. It has become a little easier since my daughters are older now. They are 19 and 15 yrs old, so that helps.
I also have a husband with a somewhat flexible schedule and he has my back… all. We tag team every day. I have learned how to space my shoots out too, knowing how long I will need to process each one. That helps a lot. I just try not to make that the norm anymore.
As soon as I start to feel too stressed, I back off a bit on booking. Can you tell us a bit about the project? How necessary do you think personal projects are to your growth as a photographer? The walls may not move, but the light changes. Autumn offers a wide range of photographic opportunities, especially for those who love colors and moody days.
But how do you capture the vibrancy of it? How do you walk home with beautiful images? The landscape lights up when the sun is at a low position during the hours around sunrise and sunset, which results in a picturesque soft glow. In other words, getting up early or staying out late to photograph while the sun is at a low position in the sky is ideal for autumn photography. The days are getting shorter and the weather is changing quickly. This normally means a lot of rain, fog and gray days.
Look for scenes that stick out from the surroundings. In the image above, the bright orange leaves and the red heather was a great contrast to the gray and dull background. Natural framing is one of the strongest compositional techniques and during autumn the opportunities are endless. Look for branches, leaves, trees or other natural elements that can frame your main subject. Doing so will help emphasize the main subject of your image while you still have a beautiful and interesting frame around it. I find it easier to implement this technique when using a telezoom or at least 50mm.
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